Inspired by infomercials on late night television, filmmaker
Steven James May naively sets out to make a documentary about phone sex workers. After much searching, three veterans
of the phone sex industry (two of whom are in their 50s) literally welcome May into their homes and communities. Individually,
Maria, Ginger and Dolores reveal their own unique connections to the modern North American sex industry. Combined, they
provide full and unrestricted access to the craft and business of aural entertainment.
DISCLAIMER: This documentary
includes graphic phone sex and is not appropriate for minors or prude adults.
WRITTEN, PRODUCED AND DIRECTED
BY STEVEN JAMES MAY
Bonus clip featuring Dolores French on the phone with Annie Sprinkle
Production Stills from Sweet Talk featuring Ginger
SWEET TALK SCREENING SCHEDULE
Sunday, Nov 18, 2007 08:30:00 PM. SexTV: The Channel.
Saturday, Nov 17, 2007 10:30:00 PM. SexTV: The Channel.
Sunday, Jul 22, 2007 09:00:00 PM. SexTV: The Channel.
Saturday, Jul 21, 2007 11:00:00 PM. SexTV: The Channel.
Sunday, Mar 4, 2007 9:00:00 PM. SexTV: The Channel.
Saturday, Mar 3, 2007 11:00:00 PM. SexTV: The Channel.
Sunday, March 5, 2006. 9pm EST. SexTV: The Channel.
Sunday, October 9, 2005. 9pm EST. SexTV: The Channel.(World Television Premiere)
Thursday, September 22, 2005. 9:30pm AST. 25th Atlantic Film Festival, Halifax, Canada. (Film
SWEET TALK press
Feb 12, 2010
Sex, Lies, and Long-Distance Carrier Charges
by John Semley
Valentine’s Day is for lovers, right? Candy, flowers, candlelit dinners, and all that? For some
people, maybe. But for those whose idea of romance consists of sitting at home and getting off while some stranger they’ve
never met moans over a phone line, the documentary Sweet Talk may be a more fitting Valentine.
Canadian filmmaker Steven James May’s Sweet Talk, a documentary about phone sex workers, has been
airing on the SexTV cable channel for a while. Sweet Talk trails three women—Maria, Ginger, and Dolores—as they
demystify exactly what it looks like on the other end of all those 1-900 numbers listed in the back pages of NOW.
Anyone who remembers Jennifer Jason Leigh’s scenes in Robert Altman’s Short Cuts, where she
lazily teases strangers over the phone while Chris Penn broods around their apartment, may not be shocked to find out how
routine a professional phone sex gig is. But what makes Sweet Talk more than just a backdoor glance into a halfway shady profession
is the charisma of its subjects.
Though all sort-of foxy in their own way, none of the three women featured in Sweet Talk are the kind
of bottle-blonde sorority girls you’ll find on late night Quest infomercials. Maria is a mother of two, whose home office
is about as romantic as an H&R Block, and whose real ambition is to be a writer (as of filming, she’s written 250
pages of a mystery novel tentatively titled Sane Insanity). Ginger’s turn to the world of aural sex came out of financial
necessity, since she needed to supplement her job as a waitress. And Dolores seems the least removed of the bunch, dressing
up in frilly negligees, and eagerly describing sissification fantasies. She also succeeds in effectively turning the camera
around on the director, a rare feat for any but the most nimble documentary subjects.
All in all, it’s a pretty solid documentary, one which allows these women to speak for themselves,
and turns a non-judgmental eye on their line of work. Valentine’s Day sees the release of Sweet Talk on DVD, via the
movie's website. Sunday will also see a special DVD launch in Toronto. May is pretty mum on the details, but anyone who’s
so inclined can email manifestationtv(at)yahoo(dot)com for more information.
It’s not exactly a fancy dinner and moonlit stroll, but the Sweet Talk DVD premiere may be the perfect
place to take more adventurous sweethearts, or to shake the blistered hands of local phone sex enthusiasts.
September 15, 2005
On the line
in Steven James May's film Sweet Talk came under censorship scrutiny, and emerged mostly unscathed. Mike Fleury dials in.
When Halifax filmmaker Steven James May set out to document the lives of three women working in the phone sex industry,
he knew that he would dealing with some touchy subject matter. Sure enough, in the weeks leading up to his film's premier
at the Atlantic Film Festival on September 22, he was busy working out a compromise with one of the film's main financers,
The Nova Scotia Film Development Corporation, which objected to some of the content in May's 48-minute feature Sweet Talk.
But just like good phone sex, this story has a happy ending.
"I think because it's a documentary on phone
sex, it's a topic where everyone seems to have an opinion," says May. "It's a good thing, but it does seem to strike a nerve
with some people."
The documentary was originally conceived as an hour-long feature for the cable channel SexTV, a
division of CHUM Limited in Toronto. The film is still going to be shown on SexTV, but it will be making its debut at the
Atlantic Film Festival.
As a financial backer of the project, CHUM was on board from the very beginning. But with
limited other resources for funding, May turned to the NSFDC for help.
"I had trouble raising the money to make this
film," explains May. "If it wasn't for the NSFDC, this film wouldn't have been made, so I am really grateful to them."
upon seeing a roughly finished version of the film, the NSFDC did express some concerns about the content of the documentary.
Not surprisingly, May says that they were specifically worried about some of the explicit language that occurs during recorded
phone conversations between the three women featured in the film and their respective clients.
"Also," says May, "I
don't want to give too much away, but one of the women in the film gets really into her work when she's on a call. It's something
I wasn't really expecting."
There were never any objections from the Atlantic Film Festival regarding the content
of the film. After seeing a rough cut of the documentary, the film was unconditionally accepted into the festival lineup.
Although the AFF was not interested in becoming involved in any kind of dispute regarding the film's content, festival communications
manager Ivy Ho did offer the AFF's official position on the Sweet Talk situation.
We accepted it and we'll be showing
it as is," says Ho. "Because it's a festival screening, we don't censor. We have a lot more freedom. As far as we're concerned,
we'll screen whatever [May] wants us to screen."
May said that his intention while making the film was not to shock
or offend, but simply to portray the three women in the film as skilled and entrepreneurial individuals. He says that any
potentially offensive material in the final version of the film should be taken in context with the overall message of the
"I think some people may look at a film like this and at first they say, "Whoa. I haven't seen that before,"
he says. "If you're going to have women up on screen doing this job, obviously there are concerns. Is this a good way for
them to be making money? Are they being exploited? But I wanted this picture to have integrity, to give context, and in the
end I think I managed to explain why I'm putting in some of the [edgier] things I was putting in."
In the end, May
and the NSFDC were able to reach a compromise that satisfied both sides, managing to avoid a messy censorship conflict or
a dispute about May's creative freedom. The version of the film that will be screening at the Atlantic Film Festival will
be identical to the version that will eventually be seen on SexTV. Ultimately, May is satisfied with the final cut, and he
says he's happy that things didn't have to get ugly between him and his investors.
"In the end, they were supportive,"
he says. "I think it helped that when [the NSFDC and I] were talking about editing different parts of the film, I told them
that I had every intention of showing this film to my mother."
Sweet Talk w/After Frank, 9:30pm, september 22 at Park
Atlantic Film Festival Blog
Thursday, September 22, 2005
Steven James May's doc Sweet Talk is a look at the lives of three women working in phone sex. He starts the piece
showing his efforts to find women who will go on the record, and to his credit, he does. They give him broad access to their
business and personal lives. Maria is almost 50 and works from home, her grown children around her, the kind of example you'd
hope to find, but probably wouldn't too often. Ginger is wrestling with her deadbeat husband, and unable to support her three
kids. Dolores is a total extrovert. She masturbates while on a sex call, but I'd be surprised if she ever does that when there
aren't cameras around. The doc has a spontaneity to it, but I would have liked to see more of the machine around this business:
operators and managers and marketers and technicians. These women, as interesting as they are, are not working in a vacuum.